糖心原创

Centre for Contemporary East Asian Cultural Studies
Two bookshelves in Hallward library frame a sculpture.

Our research produces significant results

 

Book Length Publications 

Contemporary Chinese Queer Performance book cover, the cover consists of mauve ornamental wallpaper motif.
 
Queer Media in China book cover, the book cover consists of different colour shapes overlapping each other.
 
Queer China book cover, two drawn figures hugging each other in purple waters with butterfly wings emerging from behind them.
 
Disability in China
 
Book cover of Indonesian Cinema after the New Order: Going Mainstream. Hong Kong University Press.
 
Guanxi

 
 
 

 
Contemporary Japanese Cinema
 
 
).
 
.
 
 
 

 
 
Transformation of Politication Communication in China

.

 

 

Edited books

Contemporary Chinese Queer Art book cover containing an image of two men underwater.
 
Critical Directory India
 
.
 

.

 

 
. Routledge.
 

 
.
 
 

).

 
 
.
 
Critical Directory East Europe
 
 
 
Hero
 

 

Journal articles

  • Bao, Hongwei (2019), ',' Journal of Contemporary Chinese Art, 6 (1). pp. 77-96

  • Bao, Hongwei (2019), ',' Made in China 4 (1). pp. 96-105

  • Bao, Hongwei (2018), '"Shanghai is burning": Extravaganza, transgender representation and transnational cinema,' Global Media and China, 3(4), pp. 233-255 

  • Barton, Benjamin (2018), 'China’s security policy in Africa: A new or false dawn for the evolution of the application of China’s non-interference principle?' The South African Journal of International Affairs, 25:3, pp. 1-22

  • SULLIVAN, J. and KEHOE, S., (2018), ',' The China Quarterly. pp. 241-256

  • Gilardi, F., Lam, C., Tan, K. C., White, A., Cheng, S., & Zhao, Y. (2018). International TV series distribution on Chinese digital platforms: Marketing strategies and audience engagement. Global Media and China, 3(3), 213–230. 
  • Ó Briain, Lonán (2018), ',' Ethnomusicology Forum, 27:3, pp. 265-285

  • Bao, Hongwei (2018), 'From Celluloid Comrades to Digital Video Activism: Queer Filmmaking in Postsocialist China,' JOMEC Journal: Journalism, Media and Cultural Studies, 12, pp. 82-100

  • Benjamin Barton, 2018, 'China’s security policy in Africa: A new or false dawn for the evolution of the application of China’s non-interference principle?' The South African Journal of International Affairs, 25:3, pp. 1-22

  • Liu, Bingjian and Sara Sterling (2018), ',' Journal of Mechanical Engineering Science.

  • Chatfield, K & Zhang, X. (2018), 'How Does the BBC Portray China? A 糖心原创 of BBC Documentaries on China from 2007 to 2016 and its Implications', China Journalism and Communication Journal.

  • Ó BRIAIN, L. (2018), ',' Ethnomusicology Forum. 27(3).

  • Zhang, X., O’Brien, D., and Brown, M. (2018), ',' The China Quarterly.

  • Taylor, J. E. (2018), ',' Twentieth Century China. 43(2), pp. 163-180

  • Taylor, J. E. (2018), ',' Journal of Chinese History. 3(1).

  • Barker, Thomas (2017), 'Screen Connections between Malaysia, Taiwan, Hong Kong, and China,' Issues & Studies, 54 (1).

  • Dauncey, Sarah (2017), 'Gendering the Chinese Disabled Body: Explorations at the Intersections of Disability and Masculinity in Contemporary China,' NAN NÜ: Men, Women and Gender in China.

  • Dauncey, Sarah (2017), 'Shi Tiesheng: Writing Disability into Modern Chinese Fiction,' Chinese Literature Today. 6 (1), pp. 48-55

  • G. Shaw & X. Zhang (2017), 'Queer Documentary Filmmaking in a Digital China', China Information.

  • Ó BRIAIN, L. (ED), (2017), 'Special Issue: Sounding Ethnicity: New Perspectives on Music, Identity and Place,' The world of music (new series). 3(2).

  • Zhang, S & Zhang, X (2017), 'Foreign correspondents: a case study of China in the digital and globalization age,' Journalism Studies.

  • Zhuang, M., Zhang, X & Morgan, S. (2017), 'Contingent Participation: Media-citizen interaction in Wenzhou’s "Civil Monitory Organization",' Journal of Contemporary China, Issue 106, Vol 26, pp. 1-17

  • Chang, Ting (2016), 'Crowdsourcing avant la lettre: Henri Cordier's Correspondence and the Network of French Sinology, 1875-1925,' L'Esprit Créateur, the Johns Hopkins University Press, Vol. 56, No. 3, pp. 47-60

  • Gallagher, Mark (2016), 'Tony Leung Chiu-Wai: Acting Sexy in Hong Kong and China,' Asian Cinema 27.1.

  • Ó BRIAIN, L. (2016), ',' Journal of Sonic Studies. 12.

  • Ó BRIAIN, L., STOCK, J. AND WOOD, A. (2016), 'Editorial,' Ethnomusicology Forum. 25(3), pp. 253-254

  • Rawnsley, Ming-Yeh, Smyth, James and Sullivan, Jonathan (2016), '', Journal of the British Association of Chinese Studies Vol.6. pp. 66-80

  • Taylor, J. E. (2016), ',' Gender & History. 28(3), pp. 660-686

  • Watters, Casey (2016), #Do All Roads Lead to China? Chinese Commercial Law Scholarship in the Past Decade (Part 1),' The China Review, Vol. 16, No. 2

  • Watters, Casey (2016), 'Does the Housing Market and Absence of Consumer Bankruptcy Protection Make Interpretation (III) of the Chinese Marriage Law Beneficial to Women, Not Men?' 3 Property Law Journal 101.

  • , X, , H & , (2016), 'China's expanding influence in Africa: projection, perception and prospects in Southern African countries,' Communicatio: South African Journal for Communication Theory and Research. 42(1), pp. 1-22

  • Ó BRIAIN, L., (2015), ',' Journal of World Popular Music. 2(2), pp. 289-306

  • Taylor, J.E. (2015), ',' Modern China. 41(4), pp. 406-435

  • Taylor, J. E. (2015), ',' Comparative Studies in Society and History. 57(3), pp. 665-693

  • Watters, Casey (2015), 'Is China Creating A New Business Order? - Rationalizing China’s Extraterritorial Attempt to Expand the Veil-Piercing Doctrine,' Northwestern Journal of International Law & Business, Vol. 35

  • Dauncey, Sarah (2014), 'A Face in the Crowd: Imagining Individual and Collective Disabled Identities in Contemporary China,' Modern Chinese Literature and Culture. 25(2), pp. 130-165

  • Ó BRIAIN, L., (2014), ',' Asian Music. 45(2), pp. 32-57

  • Bao, Hongwei (2013), 'A Queer Comrade in Sydney: Chineseness, Queer Desire and Homonationalism,' Interventions: International Journal of Postcolonial Studies, 15 (1). pp. 129-142

  • Barton, Benjamin (2013), 'The EU's Engagement of China in the Indian Ocean - Getting the People's Liberation Army Navy Onboard in the Fight against Somali Piracy', The RUSI Journal, vol. 158, no. 6, pp. 66-73

  • Ó BRIAIN, L. (2013), ,' Journal of Vietnamese Studies. 8(2), pp. 115-148

  • Rawnsley, Ming-yeh (2013), ',' Oriental Archive 81. pp. 437-458

  • Rawnsley, Ming-yeh (2013), ',' Screen 43(4). pp. 534-539

  • Taylor, J.E. (2013), ',' Modern Asian Studies. 47(5), pp. 1588-1621

  • Taylor, J.E. (2013), ',' Journal of the British Association for Chinese Studies. 2. pp. 27-50

  • Zhang, X (2013), ': ,' African Media Studies 34(3), pp. 79-101

  • Bao, Hongwei (2012), 'On Not to Be Gay: Aversion Therapy and Transformation of the Self in Postsocialist China,' Health, Culture and Society, 3 (1). pp. 132-149

  • Bao, Hongwei and Ling Yang (2012), 'Queerly Intimate: Friends, Fans and Affective Communication in a Super Girl Fan Fiction Community,' Cultural Studies, 26 (6). pp. 842-871

  • Bao, Hongwei (2012), 'Querying/Queering Cosmopolitanism: Queer Spaces in Shanghai,' Culture Unbound: Journal of Current Cultural Research 4, pp. 97-120

  • Dauncey, Sarah (2012), 'Three Days to Walk: A Personal Story of Life Writing and Disability Consciousness in China,' Disability and Society 27(3), pp. 311-323

  • Taylor, J.E. and HUANG, G.C. (2012), ',' International Journal of Asian Studies. 9(1), pp. 99-121

  • White, Andrew. and Xu, S. (2012), 'A critique of China’s cultural policy and the development of its cultural and creative industries: the case of Shanghai,' Cultural Trends, 21 (3), pp. 249-257

  • Rawnsley, Ming-Yeh (2012), '"', LSE Journal Taiwan in Comparative Perspective vol.4, pp. 89-107

  • Zhang, X (2012) 'Hegemony and Counter-hegemony: the politics of dialects in TV programmes in China,' The Chinese Journal of Communication 5(3), pp. 300-315

  • Bao, Hongwei (2011), 'Queer Comrades: Transnational Popular Culture, Queer Sociality and Socialist Legacy,' English Language Notes, 49 (1), pp. 131-137

  • Rawnsley, Ming-Yeh (2011), '"', Asian Cinema Journal 22 (2), pp. 196-213

  • Chang, Ting (2011), 'Le japonisme, la chinoiserie et la France d’Edmond de Goncourt,' Les Cahiers Edmond et Jules de Goncourt, Vol. 18, pp. 55-68

  • Zhang, X (2011), 'From Totalitarianism to Hegemony: the reconfiguration of the  party-state and the transformation of Chinese communication,' Journal of Contemporary China,20(68), pp. 103-115

  • Barker, Thomas (2010), 'Imagining "Indonesia": Ethnic Chinese Film Producers in Pre-Independence Cinema (with Charlotte Setijadi),' Asian Cinema, Volume 21, Number 2, pp. 25-47(23)

  • Taylor, J.E. (2010), ',' Journal of Contemporary History. 45(1), pp. 181-196

  • Taylor, J.E. (2009), ',' Asian Studies Review. 33(2), pp. 197-210

  • Taylor, J.E. (2009),  ',' Journal of Chinese Overseas. 5(2), pp. 235-256

  • Taylor, J.E. (2009), ',' The Chinese Historical Review. 16(2), pp. 208-227

  • Taylor, J.E. (2009), ',' China Heritage Quarterly. 17.

  • Chang, Ting (2008), 'Object, beeld en voorstelling; twee 19e-eeuwse Europese verbeeldingen van "China,"' Aziatische Kunst, Asian Art Society in the Netherlands, Jaargang 38, 2, June 2008, pp. 56-66

  • Taylor, J.E. (2008), ',' Inter-Asia Cultural Studies. 9(1), pp. 62-81

  • Dauncey, Sarah (2007), 'Screening Disability in the PRC: The Politics of Looking Good,' China Information. 21(3), pp. 481-506

  • Khoo, Gaik Cheng Khoo (2007), 'Just Do-It-(Yourself): Independent Filmmaking in Malaysia,' Inter-Asia Cultural Studies 8.2. pp. 227-247

  • Taylor, J.E. (2007), ',' New Zealand Journal of Asian Studies. 9(2), pp. 126-146

  • Taylor, J.E. (2006), ',' The China Quarterly, pp. 96-110

  • Taylor, J.E. (2006), ',' Totalitarian Movements and Political Religions. 7(3), pp. 347-362

  • Dauncey, Sarah (2003), 'Illusions of Grandeur: Perceptions of Status and Wealth in Late-Ming Female Clothing & Ornamentation,' East Asian History. 25/26, pp. 43-68

  • Dauncey, Sarah (2003), 'Bonding, Benevolence, Barter and Bribery: Female Gift-Giving and Social Communication in the Jin Ping Mei,' Nannü, Men, Women and Gender in Early & Imperial China. 5(2), pp. 203-239

  • Taylor, J.E. (2003), ',' Rethinking History. 7(2), pp. 235-241

  • Taylor, J.E. (2003), ',' Modern Chinese Literature and Culture. 15(2), pp. 45-74

  • Chang, Ting (2002), 'Collecting Asia: Théodore Duret’s Voyage en Asie and Henri Cernuschi's Museum,' Oxford Art Journal, Vol. 25, No. 2, Spring 2002, pp. 17-34

  • Taylor, J.E. (2002), ',' Social History. 27(2), pp. 125-142

  • Taylor, J.E. (2001). ',' East Asian History. 21, pp. 143-164

 

Book chapters

 

  • Bingham, Adam (2019). 'Duality and Ambiguity: Prostitution, Performance and the Vagaries of Modernity in Japanese Cinema'. In Taylor-Jones, K and Hopkins, D. (eds). Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women. London: Palgrave MacMillan, pp. 67-84
  • Bingham, Adam (2019). 'Insect Men and Women: Gender, Conflict, and Problematic Modernity and Intentions of Murder'. In Desser, D. and Coleman C. (eds). Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura. Ediburgh University Press, pp. 56-74

  • Gaik Cheng Khoo (2019). '' In King, M. T. Culinary Nationalism in Asia.

  • Bao, Hongwei (2019). 'Conversion Therapy in Asia'. In Chiang, H. (ed). Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) History. Farmington Hills MI: Charles Scribner’s Sons, pp. 418-422

  • .

  • Rawnsley, Ming-Yeh and Lin, Lihyun. 'The New Type of Media Conglomerate in Taiwan: A Case 糖心原创 of Fobon'. In Wagner, K., Bong Choi, J. and Shim, D. (eds). Asian Media Conglomerates: Countering the North Atlantic Mediascape and its Infrastructure. London: Routledge.

  • Rawnsley, Ming-yeh, Rawnsley, Gary and Yu, Ming. 'International Coproduction of Documentaries as a Form of Chinese Cultural Diplomacy'. In Damm, J. (ed). Chinese Cultural Diplomacy. London: Palgrave Macmillan.

  • White, Andrew. and Ch’ng, E. (2019). 'Chinese Museums' Digital Heritage Profile: An Evaluation of Digital Technology Adoption in Cultural Heritage Institutions'. In Lewi, H. (ed). The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. London and New York: Routledge.
  • Bao, Hongwei (2018). 'Queering the Global South: Mu Cao and His Poetry'. In West-Pavlov, R. (ed). Cambridge Critical Concepts: The Global South and Literature. Cambridge: Cambridge University Press, pp.185-197
  • Bao, Hongwei (2018). 'Haunted Gay Identity: Sexuality, Masculinity and Class in Beijing Story'. In Hird, D. and Song, G. (eds). The Cosmopolitan Dream: Transnational Chinese Masculinities in a Global Age. Hong Kong: Hong Kong University Press, pp. 73-86

  • Rawnsley, Ming-yeh, Feng, Chien-san, Smyth, James and Sullivan, Johnathan (2018). 'The Media System in Taiwan'. In Sullivan, J. and Lee, C. (eds). . London: Routledge.

  • Rawnsley, Ming-yeh and Rawnsley, Gary (2018). 'Science Communication in Taiwan: Rethinking Local and Global'. In Storm C. (ed). . London: Routledge, pp.74–95 

  • Chang, Ting (2018). 'Emile Guimet's Network for Research and Collecting Asian Objects, ca.1876-1918'. In Guichard, C., Howald, C. and Savoy, B. Acquiring Cultures. World Art on Western Markets. Berlin: De Gruyter Publishing, pp. 209-222
  • Gallagher, Mark (2018). 'Alibaba Goes to the Movies.' In Marchetti, G., See-Kam, T. and Magnan-Park, A. (eds). Palgrave Handbook of Asian Cinema. Palgrave Macmillan.
  • Liboriussen, B., Lopez, J. and White, Andrew (2018). 'Contemporary Chinese creatives as literati'. In Lee, H.-K. and Lim, L. (eds.). Routledge Handbook on the Cultural and Creative Industries in Asia. London and New York: Routledge.
  • Bingham, Adam (2017). 'Autumn Afternoons: Negotiating the Ghost of Ozuin Iguchi Nami's "Dogs and Cats" (2004)'. In Choi, J. (ed). Reorienting Ozu: A Master in His Influence. Oxford University Press, pp. 177-196
  • Bao, Hongwei (2017). 'Queer as Catachresis: Beijing Queer Film Festival in Translation'. In Berry, C. and Robinson, L. (eds). Chinese Film Festivals: Sites of Translation. Palgrave Macmillan. pp. 67-88
  • Dauncey, Sarah (2017). 'Special and Inclusive Education'. In Morgan, W.J., Gu, Q. and Li, F. (eds). Cheltenham: Edward Elgar, pp. 290-313

  • Rawnsley, Ming-yeh (2017). ''. In Berry, C. and Robinson, L. (eds). . London: Palgrave Macmillan, pp. 57–78

  • Rawnsley, M., Chiu, K. and Rawnsley, G. (2017). (eds), . London: Routledge. 

  • Zhang, X. (2017). 'Media Construction of the African Image(s) for the Chinese Media Public'. In Batchelor, K and Zhang, X. (eds). China-Africa Relations: Building Images through Cultural Cooperation, Media Representation, and Communication. Routledge. 

  • Zhang, X. and Guo Z.(2017). 'The Effectiveness of the Overseas Chinese Cultural Centre in China's Public Diplomacy'. in Thusu, D. (ed). China Goes Global. Routledge.

  • Bingham, Adam (2016). 'Doubled Indemnity: Fruit Chan and the Meta-fictions of Hong Kong Neo-noir'. In Yau, C.M. and Williams, T. (eds). Hong Kong Neo-Noir. Edinburgh University Press, pp. 77-96
  • Bao, Hongwei (2016). 'Same-Sex Wedding, Queer Performance and Spatial Tactics in Beijing'. In Lin, X. et al. (eds). East Asian Men: Masculinity, Sexuality and Desire. Palgrave Macmillan, pp. 107-121

  • Rawnsley, Ming-Yeh (2016). ''. In Shubert, G. (ed). Routledge Handbook of Contemporary Taiwan. London: Routledge, pp. 373-388

  • Zhang, X. (2016). 'A World of Shared Influence'. In Zhang, X. Wasserman, H. and Mano, W. (eds). China's Soft Power in Africa: Promotion and Perception. Palgrave Macmillan, pp. 3-16

  • Chang, Ting (2016). 'Paris, Japan and Modernity: A Vexed Ratio'. In Clayson, H. and Dombrowski, A. (eds). Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity, 1850-1900. Ashgate/Routledge, pp. 153-170
  • Dauncey, Sarah (2016). 'Disability Studies' in Wright, T. (ed). Oxford Bibliographies in Chinese Studies. New York: Oxford University Press.
  • Liboriussen, B., White, A. and Wang, D. (2016). 'The ban on gaming consoles in China: protecting national culture, morals and industry within an international regulatory framework'. In deWinter, J. and Conway, S. (eds). Video game policy: production, distribution and consumption. London and New York: Routledge, pp. 230-243
  • Bao, Hongwei (2015). 'Digital Video Activism: Narrating History and Memory in Cui Zi’en’s Queer China, Comrade China'. In Engebretsen, E. et al (eds). Queer/Tongzhi China: New Perspectives on Research, Activism and Media Cultures. Copenhagen: Nordic Institute of Asian Studies Press, pp. 35-56
  • Barton, Benjamin and de Bellefroid, Ariane (2015). 'China and the EU in Sub-Saharan Africa'. In Wouters, J., Defraigne, J-C. and Burnay, M. (eds). EU-China in the World: Analysing Relations with Developing and Emerging Countries. Cheltenham: Edward Elgar.
  • Gallagher, Mark (2015). 'Batman in East Asia'. In Pearson, R., Urichhio, W., and Brooker, W. (eds). Many More Lives of the Batman, 2nd edition. Palgrave Macmillan/BFI.

  • Rawnsley, Ming-Yeh and Feng, Chien-San (2015). ''. In Rawnsley, G. and Rawnsley, M. (eds). Routledge Handbook of Chinese Media. London: Routledge, pp. 298-311

  • Zhang, X and Shaw, G (2015). 'New Media, Emerging Middle Class and Environmental Health Movement in China'. In Hanspeter, K. (ed). Urban mobilizations and new media in contemporary China. Ashgate Publishing Limited, pp. 101-116

  • Bingham, Adam (2014). 'Cats and Dogs and Wild Berries: New Voices in Japanese Cinema'. In Kelly, G. and Robson, C. (eds). Celluloid Ceiling: Women Film Directors Breaking Through. Supernova Books, pp. 233-248

  • Rawnsley, Ming-Yeh (2014). ''. In Wing-Fai, L. & Willis, A. (eds). East Asian Film Stars. London: Macmillan, pp.190-204

  • Rawnsley, Ming-Yeh (2014). ''. In Kim, J. (ed). Reading Asian Television Drama: Crossing Boarders and Breaking Boundaries. London: IB Tauris, pp. 213-234

  • Chang, Ting (2014). 'Le récit visuel dans les Promenades japonaises Une pédagogie par le texte et l’image'. In Les Trésors d’Émile Guimet, Actes Sud/Musée des Confluences. Lyons, pp. 97-106
  • Pacey, Scott (2014). 'Taixu, Yogācāra and the Buddhist Approach to Modernity'. In Makeham, J. (ed). Transforming Consciousness: The Intellectual Reception of Yogācāra Thought in Modern China. Oxford University Press, pp. 103-122
  • Bao, Hongwei (2013). 'Die konfuzianische Familie, sozialistische Kollektivität und postsozialistische Queere Politik: Anmerkungen zum Begriff tongzhi'. In Jahnert, G. et al (eds). Kollektivität nach der Subjektkritik: Geschlechtertheoretische Positionierungen. Bielefield: Transcript Verlag, pp. 259-282
  • Chang, Ting (2013). 'Les Hommes et les choses: le collectionnisme d’Edmond de Goncourt'. Gibhardt, B. and Ramos, J. (eds). In Arts décoratifs et Poésie: Artistes, écrivains et esthètes autour de Marcel Proust. Garnier Press, Paris, pp. 39-51
  • Dauncey, Sarah (2013). #Breaking the Silence? Deafness, Disability and Education in Two Post-Cultural Revolution Chinese Films'. In Mogk, M. (ed). Different Bodies: Disability in Film & Television. Jefferson: McFarland, pp. 75-88
  • Dauncey, Sarah (2013). 'Whose Life is it Anyway? Disabled Life Stories in Post-reform China'. In Dryburgh, M. and Dauncey, S. (eds). Writing Lives in China 1600-2010: Histories of the Elusive Self. London: Palgrave Macmillan, pp. 182-205
  • Bao, Hongwei (2012). 'Queer Comrades: Socialist Past, Postsocialist Present and Ideological Battles in Transnational China'. In Mesquita, S., Wiedlack, M.K. and Lasthofer, K. (eds). Import – Export –Transport: Queer Theory, Queer Critique and Activism in Motion. Vienna: Zaglossus, pp. 213-229
  • Pacey, Scott (2012). 'Heterotopia and the Southern Heaven: Xingyun’s Antipodean Buddhist Mission'. In Smith, W., Tomlinson, M. and Manderson, L. (eds). Flows of Faith: Religious Reach and Community in Asia and the Pacific. Springer Publishing Company, pp. 123-142
  • Taylor, J. E. (戴杰銘) (2012).  ''. In May, NG (ed). 香港廈語電影訪蹤 (The traces of Hong Kong's Amoy-dialect films). Hong Kong Film Archive, pp. 64-75
  • Bingham, Adam (2011). 'Apocalypse Now'. In: Selavy, V. (ed), The End. London: Strange Attractor Press, pp. 236-250
  • Bao, Hongwei (2011). 'People’s Park: the Politics of Naming and the Right to the City'. In Ball, M. and Scherer, B (eds). Queer Paradigm II: Interrogating Agendas. Oxford: Peter Lang Publishers, pp. 115-132.
  • Chang, Ting (2011). 'Goncourt’s China Cabinet, a Fantasy'. In Rujivacharakul, V. (ed). Collecting China: The World, China, and a Short History of Collecting. University of Delaware Press and Publishing Group, pp. 31-45.
  • Men, Jing and Benjamin Barton (2011). 'China's Soft Power: A Blessing or a Challenge to World Governance?'. In Guo Sujian and Deng Zhenlai (eds). China's Searches for Good Governance: Inside and Outside China. London: Palgrave Macmillan.
  • Dauncey, Sarah (2011). 'Screening Disability in the PRC: The Politics of Looking Good'. In Ngo, T. (ed). Contemporary China Studies Volume 4: Social Cleavages and Forms of Marginalization. London: Sage Publications.

  •  Zhang, X. (2011). 'The Mass Media'. In Zang, X. Understanding Chinese Scoiety. Routledge. 

  • Bao, Hongwei (2010). 'In Search of Lesbian Existence: Queer Aesthetics in Women 50 Minute'. In Iwatake, M. (ed). New Perspectives on Japan and China. Renvall Institute Publications 27, University of Helsinki Press, pp. 129-161.
  • Bao, Hongwei (2010). 'Enlightenment Space, Affective Space: Travelling Queer Film Festivals'. In China', in Iwatake, M. (ed). Gender, Mobility and Citizenship in Asia. Renvall Institute Publications 26, University of Helsinki Press, pp. 174-205.
  • Bao, Hongwei (2010). 'LGBT Issues in China'. In Steward, C. (ed). The Greenwood Encyclopedia of LGBT Issues Worldwide Vol. 1. Santa Barbara, CA: ABC CLIO, pp. 355-373.
  • Chang, Ting (2010). ‘Entre Art et Science: la représentation des Japonais dans les Promenades japonaises d’Émile Guimet et Félix Régamey'. In Lafont, A. (ed). L'Artiste savant à la conquête du monde moderne. Presses de l’Université de Strasbourg, pp. 157-166.
  • Chang, Ting (2010). ‘Asia as a Fantasy of France in the Nineteenth Century' In North, M (ed). The Market for Exposure. Reimagining Cultural Exchange between Europe and Asia, 1400-1900. Ashgate, pp. 45-52

  • Rawnsley, Ming-Yeh and Wang, Haizhou (2010). ''. In Rawnsley, G. and Rawnsley, M. (eds). Global Chinese Cinema: The Culture and Politics of Hero. London: Routledge, pp.90-105 

  • Rawnsley, Ming-Yeh and Chen, Xiaoming (2010). ''. In Rawnsley, G. and Rawnsley, M. (eds). Global Chinese Cinema: The Culture and Politics of Hero. London: Routledge, pp.78-89

  • Zhang, X. (2010). 'China’s International Broadcasting: The Case of CCTV International'. In Wang, J, (ed). Soft Power in China: Public Diplomacy through Communication. Palgrave Macmillan, pp. 57- 1

  • Chang, Ting (2006). ‘Disorienting Orient: Duret and Guimet, Anxious Flâneurs in Asia'. In D’Souza, A. and McDonough, T. (eds). The Invisible Flâneuse? Women, Men and Public Space in Nineteenth-Century Paris. Manchester University Press, pp. 65-78.
  • Taylor, J.E. (2005). 'Reading History Through the Built Environment in Taiwan'. In Makeham, J. and A-Chin Hsiau, (eds). Cultural, Ethnic and Political Nationalism in Contemporary Taiwan: Bentuhua. Palgrave Macmillan, pp. 159-183.
  • Taylor, J.E. (2003). 'Rome wasn't built in a day': Zuoying and the discourse of civilisation'. In Neder, C. and Susanne Schilling, I. (eds). Transformation! Innovation?: Perspectives on Taiwan Culture. Harrassowitz Verlag, pp. 29-44.
 

Centre for Contemporary East Asian Cultural Studies

The 糖心原创
University Park
Nottingham, NG7 2RD


telephone: +44 (0) 115 951 5757 or 84 66437
email:hongwei.bao@nottingham.ac.uk or ting.chang@nottingham.ac.uk