糖心原创

ISOS
Institute for the 糖心原创 of Slavery

Publications

Edmund Stewart

  • Edmund Stewart, 2016. Professionalism and the poetic persona in archaic Greece. Cambridge Classical Journal. 62, 200-223
  • Edmund Stewart, Edward Harris and David Lewis, eds., Skilled Labour and Professionalism in Ancient Greece and Rome. Cambridge University Press. (In Press.)
 

Jessica Wardlaw

  • Doreen S. Boyd, Bethany Jackson, Jessica Wardlaw, Giles M. Foody, Stuart Marsh, Kevin Bales, , ISPRS Journal of Photogrammetry and Remote Sensing, Volume 142, 2018, Pages 380-388
 

Judith Still

  • Judith Still,  (ix+310pp.), Oxford: Voltaire Foundation. 2011
  • Judith Still,  (viii+408pp.), Edinburgh: Edinburgh University Press. 2015
  • Judith Still, , Journal of Romance Studies 18:1, 103-29. 2018
 

Marc Kleijwegt

  • Marc Kleigwegt (ed.),  , Leiden: Brill 2006.
 

Ross Wilson

  • Ross Wilson, 2009.   Discourse and Society. 20(3), 381-399
  • Ross Wilson, 2009. Writing the Bicentenary – Reconciling in the Museum through the Written Word. In: Museums as places of reconciliation: Proceedings of the 8th Colloquium of the International Association of Museums of History Historical Museum of Serbia. 150-163
  • Laurajane Smith, Geoff Cubitt and Ross Wilson, 2011. In: Representing enslavement and abolition in museums Routledge. 1-19
  • Ross Wilson, 2011. . In: Representing Enslavement and Abolition in Museums Routledge. 131-146
  • Laurajane Smith, Geoff Cubitt and Ross Wilson, eds., 2011. Routledge.
  • Ross Wilson, 2010. Museums and Society. 8(3), 165-179
  • Ross Wilson, 2008. Historical Journal of Film, Radio and Television. 28(3), 391-403

 

Online papers:

  • Memory matters - Britain and the abolition of the slave trade 1807-2007 -
  • The image of the supplicant slave: advert or advocate? -
  • Corporeal memories - the values and dangers of remembering the body -
  • The present past: the use of art in the marking of the bicentenary -
  • Remembering to forget: the BBC Abolition Season and public memory -
  • Representation equals recognition? The portrayal of slavery on screen: from Roots to Amistad, Mansfield Park and Amazing Grace -
  • A kindly Act - newspaper coverage of the bicentenary of the 1807 Abolition Act -
  • Ross Wilson (2008). Representing the Diaspora: Performances of 'Origin' and 'Becoming' in Muse-ums. African Diaspora Archaeology Newsletter 11(1). :
 

Thomas Wiederman

  • Thomas Wiedemann & Jane Gardner (eds.),  , London: Frank Cass, 2002 (special issue of Slavery and Abolition).
 

Tony Burns

  • Tony Burns,    The International Journal of Social Economics, 43, 12(2016), pp. 1178-93
  • Tony Burns, in Gabriel R. Ricci ed., Culture and Civilization, Volume V, Cosmopolitanism and the Global Polity (Rutgers University: Transaction Publishers, 2013), pp. 181-207
  •   Culture, Theory,Critique, 47, 1 (2006), pp. 81-98
  •   History of Political Thought, XXIV, 1 (2003), pp. 16-36 
 

Isobel Elstob

  • Visualizing the Victorians: The Nineteenth Century in Contemporary Art, London: Palgrave Macmillan [forthcoming]
  • “The End is the Beginning and Lies Far Ahead”: time and textuality in African American visualizations of the historical past, 1990-2000’, Traces and Memories of Slavery, London: Routledge [in press]
  • Material Histories: collage as medium in Kara Walker’s picture series, 2001-2005’ [current]
 

Institute for the 糖心原创 of Slavery

糖心原创
University Park
Nottingham, NG7 2RD

Email: Sascha.Auerbach@nottingham.ac.uk