MATTHEW J.A. GREEN, 2023. Gothic Studies. 25(3), 280-299
MATTHEW J.A. GREEN, 2020. 鈥淪o you still believe in the future?鈥 Socialist Utopianism and Marxist critique in The Red Virgin and the Vision of Utopia. In: THOMAS GIDDENS, ed., Critical Directions in Comics Studies University Press of Mississippi.
GREEN, MATTHEW J. A., 2017. 'An altered view regarding the relationship between dreams and reality': Magic, politics and the comics medium in Alan Moore and Jacen Burrow's Providence STUDIES IN COMICS. 8(2), 135-155
MATTHEW J.A. GREEN, 2016. '"Everything's interconnected": Anarchy, ecology and sexuality in Lost Girls and Swamp Thing. In: JUDE ROBERTS and ESTHER MACCALLUM-STEWART, eds., Gender and Sexuality in Contemporary Popular Fantasy: Beyond boy wizards and kick-ass chicks Routledge. 97-116
CHAN, DEAN, GREEN, MATTHEW J.A., MURRAY, CHRISTOPHER and WILLIAMS, PAUL, 2015. The Place of Comics on English Degrees Journal of Graphic Novels and Comics. 5(1), (In Press.)
MATTHEW J.A. GREEN, 2015. '"I don't see what good a book is without pictures or conversations": Imaginary Worlds and Intertextuality in Alice in Wonderland and Alice in Sunderland'. In: STEPHEN E. TABACHNICK and ESTHER BENDIT SALTSMAN, eds., Drawn from the Classics: Essays on Graphic Adaptations of Literary Works McFarland & Company. 110-126
GREEN, MATTHEW J.A., ed., 2013. Alan Moore and the Gothic Tradition Manchester University Press.
GREEN, MATTHEW J.A., 2013. Alan Moore and the Gothic tradition. In: GREEN, MATTHEW J.A., ed., Alan Moore and the Gothic Tradition Manchester University Press.
GREEN, M.J.A., 2013. A darker magic: heterocosms and bricolage in Moore鈥檚 recent reworkings of Lovecraft. In: GREEN, M.J.A., ed., Alan Moore and the Gothic tradition Manchester University Press. 253-275
GREEN, M.J.A., 2012. The end of the world. That鈥檚 a bad thing right?: form and function from William Blake to Alan Moore. In: CLARK, S., CONNOLLY, T. and WHITTAKER, J., eds., Blake 2.0: William Blake in twentieth-century art, music and culture Palgrave Macmillan. 175-186
MATTHEW J.A. GREEN, 2011. . In: PIYA PAL-LAPINSKI AND MATTHEW J.A. GREEN, ed., Byron and the Politics of Freedom and Terror Palgrave. 15-32
GREEN, MATTHEW J.A., 2011. Literature Compass. 8,
MATTHEW J.A. GREEN and PIYA PAL-LAPINSKI, eds., 2011. Byron and the Politics of Freedom and Terror Palgrave.
GREEN, M.J.A., 2009. Romanticism. 15(1), 18-32
GREEN, M.J.A., 2008. The Byron Journal. 36(2), 117-130
GREEN, M.J., 2007. 'This Angel, who is now become a Devil, is my particular Friend': diabolic friendships and oppositional interrogation in Blake and Rushdie. In: CLARK, S. and WHITTAKER, J., eds., Blake, modernity and popular culture Basingstoke: Palgrave Macmillan. 127-150
GREEN, M.J.A., 2007. Blake, Darwin and the promiscuity of knowing: rethinking Blake鈥檚 relationship to the Midlands Enlightenment British Journal for Eighteenth-century Studies. 30(2), 193-208
GREEN, M.J.A., 2007. Literature Compass. 4(1), 150-171
GREEN, M.J., 2005. Visionary materialism in the early works of William Blake: the intersection of enthusiasm and empiricism Basingstoke: Palgrave Macmillan.
GREEN, M.J., 2005. . In: CLARK, R., ed., The Literary Encyclopedia [online] The Literary Dictionary Company.
GREEN, M.J., 2005. . In: CLARK, R, ed., The Literary Encyclopedia [online] The Literary Dictionary Company.
GREEN, M.J., 2004. European Romantic Review. 15(4), 511-32
GREEN, M.J., 2002. PsyArt. 2002,
GREEN, M.J., 1999. A Hard Day's Knight: A Discursive Analysis of Jeannette Armstrong's Slash Canadian Journal of Native Studies. 19, 51-67