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In this pod, we will study theory and practice of close reading and literary analysis, and learn about the history of close reading as a twentieth-century critical mode. We will also outline some key aspects of literary theory and the changing fortunes of various theoretical approaches to humanistic inquiry across the twentieth and twenty-first centuries.

This pod provides research tools and concepts to enable advanced level research in Victorian literature, from contexts to aesthetics. We cover the different theorizations of literary value associated with Romanticism, Realism, Aestheticism and Decadence.

This pod explores some of the many ways insects, birds, apes, and other animals communicate, and compare these to human language. In doing so, they will examine what makes human language so unique, considering how language exists in the mind, how we recognise it, and how we process it.

In exploring the relationship between narrative, language and cognition, this pod investigates a range of approaches to the study of worldmaking, fictional minds, perspective, and intertextuality. It engages with theories of cognitive reception, and examines emotion, ethics and empathy in relation to literary reading.

This pod investigates the processes of creativity, interpretation, imagination, emotional involvement, aesthetic experience, and literary texture, applying current understanding of language and mind (as drawn from research in cognitive linguistics and cognitive psychology) to questions of literary reading.

This pod presents students with an introduction to the study of comics and graphic novels, exploring a range of work in the medium, from single issue comics to full-length graphic novels, and from independent to mainstream. We also consider the relationships between comics and adaptation, with opportunities for comparative work across countries and traditions.

This pod is concerned with literary retellings of traditional fairy tales, taking a global approach to the choice of fairy tale traditions as well as literary adaptations. We study historical and political contexts behind the late-twentieth-century resurgence of fairy tale literature, with gender and feminist theory providing the major theoretical framework of the pod.

This pod introduces a range of skills and approaches in linguistics, working from the smallest components of language to the largest. We will work with practical examples of phonetics and phonology, morphology, syntax, semantics and pragmatics, enabling you to apply relevant skills to whichever areas of linguistics you wish to explore.

This pod explores the role of communication in the workplace, explaining how to linguistically examine spoken and written interaction in a range of professional contexts.

You will:

• examine key issues such as identity construction, workplace culture, and rapport at work
• identify different types of talk at work (e.g. small talk, humour), exploring the various functions of each
• analyse professional computer-mediated communication e.g. email, social networking sites, online reputation management
• apply multimodal critical discourse analysis to analyse professional promotional materials e.g. advertisments, websites.

By the end of this pod, you will have gained the knowledge and skills to critically evaluate the role played by language in the context of work.

Second Language Acquisition (SLA) examines the ways in which second languages are learned. The pod explores a number of key aspects of this multifaceted phenomenon and introduces the main terms and theories that have been proposed to describe and understand the process of developing second language (L2) knowledge and skills.

This pod introduces cutting-edge theory and research from the area of vocabulary studies. We explore the nature of lexical knowledge in a second language, and address the key question of what is involved in knowing a word in relation to its form, meaning and use.

Contemporary corpus linguistic methods have revolutionised linguistic research and generated new fields of inquiry. This pod addresses central methods of corpus-based discourse analysis, using examples from health communication, media discourse and political manifestos. We introduce several powerful corpus analysis platforms, enabling you to pursue research questions using your own data.

Corpus linguistics provides methods for the study of collections of electronic texts (written texts, including literary texts, material from the internet, transcripts of spoken language, etc.). This module introduces fundamental corpus methods that include retrieving and interpreting word frequency information, studying patterns of words in the form of concordances, and analysing key words. The module will explain basic concepts and illustrate methods through case studies. Through exercises students will have the opportunity to use corpus tools and practise the analysis of data. Students are encouraged to reflect on the applicability of a range of methods to their own areas of interest (e.g. literary linguistics, discourse analysis, ELT, etc.). For the assessment, students will complete a small-scale corpus project. This project can function to test ideas that might be further developed in the dissertation.

This pod introduces a particular application of corpus linguistics which focuses on issues of style, especially in literature. We examine the main principles that underlie corpus design and compilation, and investigate the theoretical and methodological underpinnings of corpus-stylistic analysis, considering the implications of corpus linguistics for literary-linguistic and literary-critical research.

This pod presents the key relevant theoretical and historical developments in the field of intercultural communication, exploring the concept of culture and how it manifests itself in interaction through verbal and nonverbal communication. We explore theoretical frameworks and analytical tools to examine and describe communication across cultures, including intercultural pragmatics and Hofstede’s cultural dimensions theory.

Fear of death and what would come afterwards haunted writers throughout the Middle Ages. Covering a range of late medieval literature, this pod explores the idea of a ‘good death’, and the influence of this on conceptions of identity, illness, faith, memory and emotion.

This pod explores the role of digital technology in the professional sphere, introducing key concepts in and approaches to digital professional communication by drawing on research based on real-life communication as observed in the professional sphere of public life.

This pod introduces students to the diverse field of discourse analysis, which explores the (co)-construction of meaning, identity, ideology and power in spoken and written communication. You will grapple with the concept of ‘discourse’ from a theoretical standpoint and will be able to identify and distinguish the distinctive linguistic features of spoken and written texts.

From patronage and composition to book ownership and reading, women contributed to all stages of production and circulation of literature in the Middle Ages. This pod focuses on the early medieval period, tracing the role of women as teachers, authors, narrators, scribes, and readers in texts from England and Continental Europe.

This pod presents a theoretical and critical introduction to ecocriticism and to environmental writing. It takes in broad chronological and generic perspectives, introducing the ways in which environmental ideas manifest themselves in poetry, fiction and the ‘new nature writing’, taking in not only anglophone writing from the UK, the United States, Australia and India, but also writing in translation.

This pod introduces the study of field-names in England, and its contribution to disciplines such as agricultural history, archaeology, environmental geography, and historical linguistics. We will think especially about evidence for local and regional community and language, as well as the way the historical population perceived and described the world around them.

This pod explores English language teaching methodology for a wide range of learners and contexts, which could also be applied to the teaching of other languages. You will gain an understanding of the theoretical rationales and principles of syllabus design, as well as various teaching methods and methodological approaches including the communicative, humanist, and lexical approaches.

This pod provides an overview of Ethical Criticism, with its blend of moral philosophy, politics, and literary analysis, through the lens of two twentieth-century writers: Henry James and Samuel Beckett. You will analyse literary texts with the theoretical frames supplied by practising ethical and cultural critics.

This pod presents the wide range of factors which impact on second language acquisition (SLA). Biological, cognitive and affective factors are discussed together with characteristics of SLA environments such as the nature of input, interaction, instruction and the role of culture. Case studies and research papers are used to examine how these factors interact to accelerate or impede SLA.

This pod explores the Gothic as a literary mode, analysing a range of texts from the late eighteenth century to the present day. Emphasis will be placed not only on understanding the cultural contexts out of which texts emerged, but also on tracing lines of intellectual inheritance and cultural legacies.

Narratives are central to our understanding of health and illness – in particular people’s personal experience of illness – and this pod will introduce you to a number of seminal healthcare narrative studies and approaches to narrative.

We will not only consider more traditional patient narratives of health (stories about health and disease and the impact of illness on people’s lives and identities), but also the illness narratives of political leaders and literary narratives of illness, including accounts of mental illness such as depression.

The hexapod is equivalent to six separate pods. This is a research-based task, and you are encouraged to complete a piece of work which is relevant to you and your career. 

The hexapod can take the form of a:

• dissertation
• extended project (this could be anything from a directing a play and writing a research-based reflection, to curating a museum exhibition, or designing an educational programme)
• output arising from a placement, visit or fieldwork

The hexapod consists of at least two pods concerned with large project preparation and execution, plus supervisory arrangements for independent study.

The hexapod would normally occur in Phase 3, but can be undertaken in Phase 2. 

Historical pragmatics is the study of language usage patterns in the past, combining both language-internal as well as language-external factors to understand how forms of discourse have changed throughout history. As a particular case-study, the pod explores the histories of medical and scientific writing.

This pod introduces Homer’s two epic works, the Iliad and the Odyssey, exploring the formal elements and systems of these two narratives first and foremost. The pod will then examine how twentieth- and twenty-first-century texts have reused, revised and transmitted the pairing to suggest how these mythologies still speak to our current moment.

This pod explores a range of Anglophone literature from the Indian sub-continent written during the period spanning the last decades of the British Empire and the growth of post-independence India, Pakistan and Bangladesh. The pod focuses in particular on the intersection between literary texts and wider political debates around nationalism, caste, sex and gender.

In this pod, the importance of Intercultural Competence (IC) in today’s globalised world is considered in diverse contexts such as business, the language classroom, healthcare, and media. We discuss how IC can be enhanced in professional and educational contexts, and you will gain an understanding of key issues in the design and implementation of IC development programmes.

This interdisciplinary field is primarily concerned with how the use of language by learners compares to native speakers, and how pragmatic competence develops in a second language (L2). You will consider how pragmatic competence is conceptualised in various communicative frameworks, and we also explore the relationship between L2 pragmatics and identity, viewing language learners as ‘social agents’.

Taking a stylistic perspective, this pod examines the features of language that characterise dystopian narratives, analysing a range of textual examples from across time periods, and investigating the evolution and hybridity of contemporary dystopia. We will explore the construal of dystopian worlds, the conceptualisation of dystopian minds, and the experience of dystopian reading.

Moving beyond traditional presentations of the written word, multimodal texts experiment with more than one semiotic mode, for instance incorporating graphics, creatively employing typeface, or featuring tactile elements. Taking a mixed stylistic, cognitive and narratological perspective, this pod will analyse a range of literary texts which manipulate and experiment with narrative across modes.

This pod explores the artistic movement of surrealism, with emphasis on the form and technique of literary surrealist writing in English. Surrealist output is considered from a literary-linguistic and cognitive poetic perspective in order to explore a view of surrealism and surrealist activity from the vantage point of current understanding of language and linguistics.

English place-names began as transparent descriptions in the everyday languages spoken in Britain over the past millennia. This pod introduces the study of English place-names, providing a background in onomastic research methodology, and relating historical linguistics to English settlement history and the languages spoken in England’s past.

This pod examines the relationship between power, leadership and language, paying close attention to how leadership is constructed and reproduced in a wide variety of texts and genres. We will examine how leadership is constructed in workplace communication, exploring ‘discursive leadership’, the enactment of leadership, the appraisal of work and the establishment of rapport.

This pod discusses key issues related to learning and teaching vocabulary in a second language (L2), with a particular focus on how research findings inform language pedagogy, materials development and English Language Teaching (ELT) methodology more broadly. You will be able to use current research to inform principled vocabulary teaching and language instruction.

This pod critiques the depiction of ‘madness’ in literature and theatre from the nineteenth century to the present day. In tracing the early developments, continuity and changes in the representation of ‘madness’, you will engage with ideas of patriarchal authority and female agency, gender essentialism and self-determination, and literary convention and self-expression.

This pod explores the use of linguistic frameworks to investigate literary texts. Through a series of practical analyses and interactive tasks, you will apply and evaluate key approaches to language and literature, investigate the notions of literariness and interpretation, and consider the scope and validity of stylistics in relation to literature and literary studies.

This pod introduces you to Middle English language, poetics, and textual transmission through primary texts including lyrics on topics such as love, religion and politics. We will consider the ways lyric poetry was read in its manuscript context and how editorial practice shapes the experience of modern readers.

This pod explores representations of space and place in medieval literature and culture. Through literature, graphic maps, written descriptions, and artefacts, we will consider the local and the global; history and geography; and the ways cosmology and mythology shape conceptions of the world. We will also reflect on current critical debates about the 'Global Middle Ages'.

This pod explores emerging definitions of ‘metamodernism’ as a way of thinking about major philosophical and cultural transformations. Through close case studies, we will reflect on metamodern concerns including the legacies of modernism and postmodernism, the renewed engagement with ethics, the return of affect, and the problem of connection in a global and digital age.

This pod provides a linguistic overview of metaphor, with a particular emphasis on Conceptual Metaphor Theory. The pod examines how metaphors gain prominence, examining literary and political discourse in detail to highlight how salient metaphor is in a range of language settings, and how significant it is for understanding human thought.

This pod explores the relationship between the works of D.H. Lawrence and the contemporary artistic and intellectual climate of modernism. You will study a range of Lawrence’s writings and reflect on their relationship to trends and events in social and intellectual history, to specific modernist literary and artistic movements, and to the broader ambitions of modernist experimentation.

This pod explores the formal and thematic features of the modernist short story, identifying important nineteenth-century influences and showing how key practitioners innovated with interiorised narration, the presentation of character, form and chronology, and symbolism. You will gain an understanding of the modernist short story form and construct your own responses to modernist texts.

In this module, you'll learn about the relationship between place-name evidence and language change. This includes the main types of linguistic change that lead to the development place and personal names, as well as how you can trace name changes to explore the evolution of the English language since the early medieval period.

The module covers topics like dialects, vocabulary, language contact and changes in meaning. It also looks at how names are used in other fields, such as dictionary-making.

In this pod, we will investigate how narratives are structured, presented, and conceptualised in the mind of the reader. We consider key topics which are fundamental to the creation of narrative, from the representation of point of view through to the articulation of time, reflecting critically on contemporary narratological theory and practice.

Old English was the language spoken from the fifth to the eleventh century in what would become England. It is the ancestor of modern English, but is distinct from it, with different sounds, vocabulary, and grammar. The language is studied through real Old English texts, building linguistic knowledge while exploring early medieval English culture.

This pod provides an introduction Old Norse, famously the language spoken by the Vikings. Using examples from real Old Norse texts, you will acquire skills in reading and translating medieval language, and a critical awareness of the cultural and chronological contexts required for work on Old Norse language and literature.

The world of Odin, Thor and Loki was brought to an end by the Christianisation of Scandinavia, but this pivotal change also enabled their stories to be preserved. We will read a selection of Old Norse myths in translation, engaging with questions of origins, orality, beliefs, variation, and literary and historical contexts.

This pod examines the development of London’s fashionable West End Theatre in the late decades of the nineteenth century, focussing on the dramatic career of Oscar Wilde, and the production of his first West End ‘hit’, Lady Windermere’s Fan. The pod looks in particular at three key aspects of drama at this time: spaces, people, and texts.

In this pod we consider how theatre and performance engage with concepts of place, space and spatiality. In doing so, you will draw on theoretical, practical and personal paradigms to understand how notions of place, space and site are represented, read, received and practised within the context of theatre and performance.

This pod discusses the background to and development of research in place-names and landscape, and consider the different types of evidence landscape and place-names provide for history, geography, language, and culture. The pod highlights recent and current research in the discipline, giving you the opportunity to engage critically with a range of recent multidisciplinary research.

This module looks at how context, digital media and globalisation shape communication in business and organisational settings. You'll analyse real-world examples of professional communication using linguistic tools and frameworks.

Topics include how global brands communicate across different formats, the rise of global and local identities, the impact of digital technology on workplace communication, intercultural communication, and the role of multilingualism and language policy in professional environments.

This pod introduces quantitative methods used to conduct empirical research, from questionnaires to statistical tests and correlation analyses. It offers an accessible introduction to SPSS (Statistical Package for the Social Sciences) software, and you will study key issues related to the process of data collection and analysis and develop practical skills for reporting research findings.

This pod explores the detective novels of Agatha Christie, Dorothy L. Sayers, Ngaio Marsh and Margery Allingham. It opens up the social and cultural world of interwar detective fiction, examining how these books handle questions of gender, Empire and class whilst unravelling mysteries. We read critically, uncovering the ideologies encoded into famous characters and how those ideologies are transformed through adaptation.

This specialist strand of sociolinguistics focuses on the construction and representation of gender and sexual identities. This pod explores sociological concepts underpinning Queer Linguistics, such as queer theory, hegemony and normativity, and introduces a range of relevant data types, methodologies, and discourse analytical approaches to enable you to conduct your own research.

Across this pod, we will explore the role, position and identity of the reader, thinking in detail about who we are referring to when we talk about ‘the reader’ in stylistics. We will investigate a range of experimental and naturalistic methods of gathering reader-response data, and examine the benefits and limitations of empirical approaches in stylistic analysis.

Before the advent of the printing press, texts circulated in hand-written copies. Each manuscript was therefore unique and tells us about the tastes and habits of medieval readers. Through a case study, you will develop and apply skills in transcription (palaeography), examine editorial choices, learn how to compile a glossary and provide an explanatory commentary.

Using images and performance alongside literary and epistolary texts, this pod introduces a variety of early modern approaches to the body, from humoral theory to colonialism, early modern understandings of gender and sexuality, and the growth of anatomy as a discipline, considering the literary and cultural significance of bodily practices around food, clothing, and sexuality.

This pod investigates the relationships between religion (specifically Christianity) and fantasy literatures. The pod centres on the works of C.S. Lewis and J.R.R. Tolkien, exploring the ways Narnia and Middle Earth present different religious visions. It sets these authors in their historical and intellectual contexts, and discusses the historical roots of fantasy tropes.

Runes are a form of alphabetic writing mostly encountered in inscriptions on physical objects, which provide some of our earliest evidence for the Germanic languages. This pod introduces runic writing systems in their various forms, their development, their historical contexts, and their value for linguistic and historical study.

This pod introduces Old English heroic poetry in its cultural and historical context. Through a selection of poems studied in both their original language and in translation, we approach the form, themes, and stylistic features of heroic poetry, and explore the way religious and cultural values are represented through this genre.

This pod explores the material forms that Shakespeare’s plays took in their earliest printed versions, and the processes that turn them into today’s modern texts. Drawing on twenty-first century developments in textual studies and editorial practice, the pod uses case studies of specific plays to engage with some of the most crucial debates in contemporary Shakespeare studies.

Through the literatures and contexts of Malaysia, Singapore, Thailand and the Philippines, you will develop an understanding of how literary texts are imbricated with their national contexts and literary traditions. The pod compares different national and literary manifestations of colonialism and postcolonialism, multiculturalism and multilingualism, globalisation, climate catastrophe and political oppression.

Speculative fiction incorporates all those genres that imagine worlds not quite like this one, from science fiction to fantasy and beyond.

This module introduces a range of such fictions, attending to the generic traditions and historical context from which they emerge, as well as their ongoing cultural relevance. Both hugely popular and the object of increasing scholarly interest, speculative fiction allows for theoretical and critical discussion of a range of contemporary issues:

• Utopias and dystopias: future visions, past reflections
• Technology and the posthuman, from AI to the augmented body
• Loving the alien: alterity and identity
• Genre and beyond: expectations and experimentation

We also cover a range of different media, considering such forms as film and the graphic novel, testifying to the genre’s great scope and its ongoing power to intrigue and enthral as it explores the boundaries of time, space, and the imagination.

This module is worth 20 credits.

This pod explores the origin, development and use of surnames in England. You will examine the main categories of name, including their formation and development, and will acquire the skills to identify names and their possible meanings, and to discuss the evidence they provide for linguistic, social, and cultural history.

Systemic Functional Linguistics (SFL) is a major descriptive grammar of the English language. SFL places clause descriptions and syntax within a contextualised setting, drawing in also the ideological and interpersonal functions of language. This makes it an ideal applied grammar for exploring ideology, action and event in the world, politics, rhetoric and literary aesthetics.

This pod explores the fascinating role played by talk in the management of workplace relations, drawing upon a number of real-world exchanges as observed in the professional domain. You will consider the role played by talk in the (mis)management of rapport as well as the concepts of workplace culture and identity.

This pod will help you develop the necessary expertise and skills to plan, organise and evaluate the teaching process on courses and programmes aimed at second language (L2) learners. By discussing specific aspects and skills related to L2 competence, we review and analyse the latest thinking in language education.

This pod presents an introduction to different areas of textual editing, including choices of texts, degrees of authorial intention, editorial interpretation and annotation, and questions of authority and ownership. It offers a range of examples from literature and other media after 1500, to enable you to understand and make informed textual and editorial decisions in your own practice.

This pod offers a comprehensive overview of the literary-linguistic framework ‘Text World Theory’. Through a focus on scholarship from the last twenty years, you will apply, augment, and critically evaluate the framework, explore a range of Text-World-Theory applications to discourse, both literary and otherwise, and consider the future potential of text-world scholarship.

This pod explores stylistic, cognitive and narratological approaches to digital fiction, examining literary texts which are designed to be read and engaged with on a screen. Particular focus is given to hypertext fiction, ludic narratives, interactive film and app-based fiction, as we investigate the experience of reading and engaging with digital texts. 

This pod presents key contexts and frameworks in order to enable a critical exploration of the changing relationships between the making and reception of drama, theatre and performance. The focus throughout is on the multiple potential relationships between text, stage, performance and audience in a variety of contexts, drawing upon your own encounters with performance.

This pod examines the origins of the vampire myth, and traces its evolution from the late eighteenth century to contemporary cultural productions. We explore early vampire texts and how they relate to modern representations of the vampire, using theories associated with the Gothic, adaptation, gender and sexuality in analysing vampire literature, cinema and television.

This pod explores the impact of the settlement of Scandinavian peoples in England during the Viking Age. We take a regional focus, examining linguistic, documentary, and artefactual evidence for the arrival, settlement, and integration of these Scandinavians in the East Midlands region of England, and their ongoing influence on language, identity, and popular imagination.

We use words and sequences of words (e.g. ‘fish and chips’) all the time in language. This pod explores what it means to be a word and multiword sequence, focusing on how we represent and process these building blocks of language in our mind, and how important they are in language acquisition and language teaching.

This pod explores key developments and trends in the study and theory of world literature and maps how these affect the ways in which we read contemporary texts from around the world. Through three examples, the pod uses world-literature theory to track contemporary mappings of the evolution of the world-system from colonialism to the present day.

This pod explores the ways in which utopian studies and world-literature studies intersect. We interrogate three texts from the ‘superpowers’ of the early twentieth century: Russia, the UK and the USA. The pod considers the political and aesthetic qualities of utopia, and considers how literary forms cross and recross world borders.

In this pod we introduce a range of techniques and skills for writing poetry, and for reflecting on and developing you creative practice. You are guided through explorations of contemporary poetry, and supported to consider craft and style, while reflecting on the social context and the social function of poetry and creative production.