ÌÇÐÄÔ­´´

Contact

• work
• Fiona.Ford@nottingham.ac.uk

Recent Publications

• FIONA FORD, 2017. Critical Quarterly. 59(1), 29–46
• COOKE, M.J. and FORD, FIONA, eds., 2016. The Cambridge Companion to Film Music Cambridge University Press.
• FIONA FORD, 2016. Parental Guidance Advised? Mash-ups and Mating Penguins in Happy Feet. In: MERVYN COOKE and FIONA FORD, eds., The Cambridge Companion to Film Music Cambridge University Press. 138–56 (In Press.)
• FIONA FORD, 2016. Music & Letters. 97(4), 663–5

• View all publications

• FIONA FORD, 2017. Critical Quarterly. 59(1), 29–46
• COOKE, M.J. and FORD, FIONA, eds., 2016. The Cambridge Companion to Film Music Cambridge University Press.
• FIONA FORD, 2016. Parental Guidance Advised? Mash-ups and Mating Penguins in Happy Feet. In: MERVYN COOKE and FIONA FORD, eds., The Cambridge Companion to Film Music Cambridge University Press. 138–56 (In Press.)
• FIONA FORD, 2016. Music & Letters. 97(4), 663–5
• FIONA FORD, 2015. Edmund Meisel's Potemkin Score - A Close Reading Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft: Potemkin – Meisel: Edmund Meisel und die "Wiener Fassung" des Panzerkreuzer Potemkin von Sergej M. Eisenstein. Herausgegeben von Martin Reinhart und Thomas Tode. 61(1), 29–53
• FIONA FORD, 2015. Edmund Meisel – A Bibliographical Survey Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft: Potemkin – Meisel: Edmund Meisel und die "Wiener Fassung" des Panzerkreuzer Potemkin von Sergej M. Eisenstein. Herausgegeben von Martin Reinhart und Thomas Tode. 61(1), 79–94
• FIONA FORD, 2012. Edmund Meisel's "visual sound" in The Crimson Circle (1929): The Case of the Vanishing Part-Talkie. In: JULIE BROWN and ANNETTE DAVISON, eds., The Sounds of the Silents in Britain Oxford University Press. 283–300
• FIONA FORD, 2011. Be it [N]ever so Humble? The Narrating Voice in the Underscore to The Wizard of Oz (MGM, 1939). In: SARAH HIBBERD, ed., Melodramatic Voices: Understanding Music Drama Ashgate. 197–214
• FIONA FORD, 2011. ÌÇÐÄÔ­´´.
• FIONA FORD, 2007. The Role of Ophelia's Unaccompanied Songs in Kozintsev's Hamlet DSCH Journal. 26 (January), 24–32